http://www.iplaysoft.com/wiz.html
- Apr 11 Thu 2013 10:37
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異次元軟件世界
- Mar 28 Thu 2013 13:16
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Harriet Friedmann (University of Toronto) , comments on the book "Renewing Innovation Systems in Agriculture and Food"
http://vimeo.com/58037439
- Oct 22 Tue 2013 04:04
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Challenge for Change : activist documentary at the National Film Board of Canada
- Oct 22 Tue 2013 04:01
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Alice Munro / An appreciation by Margaret Atwood / The Guardian
- Oct 22 Tue 2013 03:58
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Inside and outside the family Alice Munro’s short stories
- Oct 22 Tue 2013 03:57
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Giorgio Agamben in perspective
- Oct 22 Tue 2013 03:56
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Hegel, Marx, Engels & the Origins of Marxism
- Sep 16 Mon 2013 06:04
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Peasant Capitalism and The Industrialization ‘Debate’
- Sep 16 Mon 2013 04:38
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BSA Work, Employment and Society
- Sep 15 Sun 2013 23:29
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Slavoj Žižek: The politics of Batman
From the repression of unruly citizens to the celebration of the “good capitalist”, The Dark Knight Rises reflects our age of anxiety.
By Slavoj Zizek [1] Published 23 August 2012
From the repression of unruly citizens to the celebration of the “good capitalist”, The Dark Knight Rises reflects our age of anxiety.
Fear city: the director Christopher Nolan's latest Batman film consciously explores modern anxieties about "economic fairness". Image: Warner Brothers Extended Artwork
The Dark Knight Rises shows that Hollywood blockbusters are precise indicators of the ideological predicaments of our societies. Here is the storyline. Eight years after the events of The Dark Knight, the previous instalment of Christopher Nolan’s Batman series, law and order prevail in Gotham City. Under the extraordinary powers granted by the Dent Act, Commissioner Gordon has nearly eradicated violent and organised crime. He nonetheless feels guilty about the cover-up of the crimes of Harvey Dent and plans to confess to the conspiracy at a public event – but he decides that the city is not ready to hear the truth.
- Sep 15 Sun 2013 20:04
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Professor Henrietta L. Moore